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dc.contributor.authorDe Lauri,
dc.contributor.authorAntonio
dc.date.accessioned2024-10-18T16:37:13Z
dc.date.issued2025-02-01
dc.identifieroai:www.cmi.no:9339
dc.identifier.citationin War and Society pp. 172-277
dc.identifier.issn2042-4345
dc.identifier.issn2042-4345
dc.identifier.issn2042-4345
dc.identifier.urihttps://hdl.handle.net/11250/3159683
dc.description.abstractWhen linked to the context of war, fun can be understood as an expression of both direct and indirect communication, a manner of public engagement as well as a ‘ritual of inversion’ in which the proprieties of structure (the declared mandate and rules of war) are lampooned and violated, yet the finalities of the project of war (dominion, control, violence, and so on) remain intact. The focus on fun is not meant to trivialise the suffering war produces. On the contrary, it encourages a more honest and accurate analysis of what actively experiencing war entails. There are different reasons for pursuing a line of research that delves into the articulation of different emotions, moralities, and fighters’ perspectives, for instance the need to de-exceptionalise war’s brutality.
dc.language.isoeng
dc.relationWar and Society
dc.relation1
dc.relation.ispartofWar and Society
dc.relation.ispartofseriesWar and Society
dc.relation.ispartofseriesWar and Society
dc.relation.ispartofseriesWar and Society vol. 44 no. 1
dc.relation.urihttps://www.cmi.no/publications/9339-coda-the-experience-of-war-beyond-exceptionalism
dc.subjectWar
dc.subjectBrutality
dc.subjectWARFUN
dc.subjectViolence
dc.subjectSoldiers
dc.titleCoda: the experience of war beyond exceptionalism
dc.typeJournal article
dc.typePeer reviewed
dc.identifier.doi10.1080/07292473.2024.2409534
dc.identifier.doi10.1080/07292473.2024.2409534
dc.identifier.doi10.1080/07292473.2024.2409534


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